{"id":21,"date":"2026-02-25T19:52:58","date_gmt":"2026-02-25T19:52:58","guid":{"rendered":"https:\/\/lasinvisiblesdebruguera.com\/?page_id=21"},"modified":"2026-03-02T13:09:24","modified_gmt":"2026-03-02T13:09:24","slug":"inicio","status":"publish","type":"page","link":"https:\/\/lasinvisiblesdebruguera.com\/","title":{"rendered":"Inicio"},"content":{"rendered":"\t\t
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Un reconocimiento a las mujeres que trabajaron en la editorial Bruguera<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Barcelona, 1910. Juan Bruguera fund\u00f3 El Gato Negro, que posteriormente se convirti\u00f3 en Editorial Bruguera.<\/p>

En el coraz\u00f3n de una ciudad que despertaba al siglo XX, nac\u00eda la Editorial Bruguera, que acabar\u00eda por te\u00f1ir el imaginario de todo un pa\u00eds. Dejando una peque\u00f1a dosis de aventura que aguardaba en cada quiosco.<\/p>

Sin embargo, el relato oficial de este gigante de la cultura popular nos ha llegado tradicionalmente narrado en masculino, bajo la sombra alargada de los grandes maestros del l\u00e1piz. Pero entre el rugir de las rotativas y el tecleo de las m\u00e1quinas de escribir, existi\u00f3 una historia en silencio que hoy es urgente rescatar.<\/p>

La historia de Bruguera est\u00e1 incompleta porque no se puede entender su \u00e9xito masivo sin reconocer a las manos invisibles que sostuvieron su estructura. Las mujeres fueron el pilar de la producci\u00f3n, la gesti\u00f3n administrativa y la resistencia sindical en los momentos de crisis, desempe\u00f1ando roles cruciales como dibujantes,redactoras, traductoras, guionistas, entintadoras y coloristas, maquetadoras, a menudo ocultas tras el anonimato o el uso de seud\u00f3nimos.<\/p>

Estas jornadas nacen precisamente para reparar esa memoria y romper un techo de cristal que el tiempo ha vuelto opaco, visibilizando desde el departamento de administraci\u00f3n hasta las naves de distribuci\u00f3n; el verdadero motor organizativo que permiti\u00f3 que millones de tebeos llegaran puntualmente a sus lectores.<\/p>

A diferencia del mito que reduc\u00eda a la mujer a una mera lectora de revistas femeninas, su impacto fue transversal y transformador. Hubo guionistas audaces que supieron conectar con la sensibilidad de una \u00e9poca para romper los estereotipos de la posguerra, y artistas que aportaron una est\u00e9tica distintiva a cabeceras m\u00edticas como Lily, Sissi o Joyas Literarias Juveniles, definiendo la identidad visual de la editorial. Ellas fueron quienes adaptaron los cl\u00e1sicos de la literatura universal, haciendo que la alta cultura fuera accesible para toda una generaci\u00f3n.<\/p>

Este encuentro no es solo una cita para especialistas o coleccionistas, sino una invitaci\u00f3n al p\u00fablico general para recuperar un patrimonio que nos pertenece a todos. Es vital que las nuevas generaciones de creadoras sepan que el noveno arte en Espa\u00f1a tambi\u00e9n fue construido por mujeres. Conocer su papel en Bruguera es, en definitiva, conocer la evoluci\u00f3n de la mujer trabajadora en la Espa\u00f1a del siglo XX.<\/p>

Al ignorar su aportaci\u00f3n, perdemos la mitad de nuestra historia cultural; estas jornadas pretenden devolver ese legado a la ciudadan\u00eda y pasar, por fin, la p\u00e1gina de la invisibilidad.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Un reconocimiento a las mujeres que trabajaron en la editorial Bruguera Barcelona, 1910. Juan Bruguera fund\u00f3 El Gato Negro, que […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry"],"yoast_head":"\nInicio -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lasinvisiblesdebruguera.com\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inicio -\" \/>\n<meta property=\"og:description\" content=\"Un reconocimiento a las mujeres que trabajaron en la editorial Bruguera Barcelona, 1910. 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